Ryan Wallace 'Consensus' Install, NADA Hudson 2012

Ryan Wallace 'Consensus' Install, NADA Hudson 2012

Ryan Wallace 'Consensus' Install, NADA Hudson 2012

Ryan Wallace 'Consensus' Install, NADA Hudson 2012

Ryan Wallace 'Consensus' Install, NADA Hudson 2012

Ryan Wallace 'Consensus' Install, NADA Hudson 2012

NADA Hudson

July 28 – 29, 2012

The New Art Dealers Alliance and Basilica Hudson are pleased to announce NADA Hudson, a large scale exhibition featuring 51 projects presented by NADA members and affiliates. NADA Hudson is not an art fair, but rather a site-specific project produced by the New Art Dealers Alliance, which will build upon the character of a historic venue in showcasing contemporary sculpture, installation and performance. 

Morgan Lehman Gallery will be exhibiting Ryan Wallace's Consensus series. In his Consensus sculptures, Ryan Wallace explores the nature of perception. He combines his allure to contemporary science with his skepticism of representing the spiritual and mystical, suggesting the only constant among these disciplines to be the limit of human observation. The stones are arranged in formations inside vitrines behind varied tinted films. The automotive tints act as a filter, skewing the repeated objects visual reception. The rocks themselves suggest the possibility of infinite replication, with the exception of the tinted screen, which suggests the uniqueness and malleable nature of individual perception. 

These mineral formations in Wallace’s trompe l’oeil sculptures are “insignificant arrangements” but that the compositions force a viewer to consider a “potential higher meaning,” creating formal exercises that can’t escape their loaded nature. He cites Giuseppe Penone’s river stones, Stonehenge, and the caves of Lascaux and Cheveux among his influences, but claims the inspiration itself is analogous to the drive behind the scientist: the desire for discovery. Wallace’s usage of pedestrian media like auto tints and vitrines in the fine art context works to break down the barriers between high versus low, art object versus scientific display.