"Since 2003 I’ve inserted myself into the works and lives of Victorian women scientists and naturalists including Mary Ward, Mary Treat, Martha Maxwell, and Ellen Henrietta Richards. Treating my studio like a laboratory, I literally restage much of the research these women undertook. This accumulative process tends to turn the studio into an embodiment of each historical project I take on, and in turn transform. Transformation is one of the underlying connections across the projects—even before I began working this way, my work had involved liminal states, things in the act of becoming, defamiliarizing and non-linear narratives, close observation and the questioning of categories. This investigative activity and my archival research and writing inform a practice that involves painting, drawing, installation and sculpture. The practices of these women and mine involve careful testing sustained empirical inquiry, structured interaction with daily life, and ultimately world building. As an artist I am dedicated to a hands-on empirical approach, where one attempts to achieve one’s goals and gain knowledge through one’s own daily life, and where one attempts to understand and embrace the interconnectivity of all things." -Emilie Clark


Emilie Clark received her BFA from Cornell University, and her MFA from Bard College. Clark has had solo shows at the Nevada Museum of Art (Reno, NV), the Lynden Sculpture Garden (Milwaukee, MN), and at the Katonah Museum of Art (Katonah, NY). Her work has been featured in exhibitions at the Children’s Museum of Art (New York, NY), the San Jose Museum of Art’s  (San Jose, NM), the Weatherspoon Museum Biennial (Greensboro, NC), and the Palo Alto Arts Center (Palo Alto, CA). In 2010 Clark was the first Artist in Residence at the Brooklyn Botanical Garden, which culminated in an exhibition in the Steinhardt Conservatory. Her work has been featured in many publications, including Bomb, Printed Project, and Cabinet Magazine, and has been reviewed in The New Yorker, The New York Times, Art in America, Art Week, The Village Voice and Time Out New York. Clark is the recipient of numerous awards, including the Pollock Krasner and the Rockefeller Foundation’s Bellagio fellowship. 



Bureau of Arts and Culture Magazine Networks Emilie Clark: God is a she
The New York Times An Artist Who Hunts, Emilie Clark Gets Her Gun, Then Her Dutch Oven
The Paris Review Emilie Clark: Meditations on Hunting
Hyperallergic MUSEUMS Seven Museums Each Tackle a Deadly Sin
artnet news Artists' Books Fair Showcases an Eclectic Mix of Works by Blue-Chip Artists
The Art Newspaper Leave your virtues at home and come out for some vice
The Wall Street Journal ‘Seven Deadly Sins’: A Vice-Fest in the NYC Suburbs
July 30, 2015
The Wall Street Journal What Deadly Sins Look Like
July 30, 2015
The New York Times Seven Museums, Each Offering a Deadly Sin
Art Slope

My Garden Pets, Emilie Clark

Lynden Sculpture Center

Emilie Clark: Sweet Corruptions

New York Times:

The Week Ahead

JS Online - TAP

Emilie Clark at the Lynden Sculpture Garden


"Around the Table" at the San Jose Museum of Art

NYC Parks
Art Exhibition - Notched Bodies: Insects In Contemporary Art

Reversing the Regular Order of Nature: An Interview with Emilie Clark

Art Daily
Brooklyn Botanic Gardens Presents a New Body of Work by Emile Clark, Its First Artist-in-Residence
Children's Museum of Art
Emilie Clark in Tweet
Nevada Museum of Art
Emilie Clark: Sweet Corruptions

Art Exploring the Worlds of Female Victorian Scientists

San Francisco Chronicle

'Around the Table': Works savor what food means to us