PAUL VILLINSKI

Paul Villinski was born in York, Maine, USA, in 1960, the son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY.

Villinski's work has been included in numerous exhibitions nationally, recently including the solo exhibition “Passage: A Special Project,” at the Blanton Museum, University of Texas, Austin; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; “Second Lives: Re-purposing the Ordinary,” at the Museum of Arts and Design, New York, NY; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer redesigned and rebuilt into a solar-and wind-powered mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and the trailer was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY.

Corporate collections include Fidelity Investments; Microsoft; Progressive Insurance; ADP; McCann Erickson International; New York Life; Ritz-Carlton and many others. He has been a recipient of a National Endowment for the Arts grant, and has been an Artist-in-Residence at the Serenbe Institute, GA; Socrates Sculpture Park, NY; the Millay Colony, NY; the Ucross Foundation, WY; the Djerassi Foundation, CA; and the Villa Montalvo Arts Center, CA.  Villinski has been reviewed in periodicals including ARTnews; Artforum; Art in America; Sculpture; Interior Design; Design Bureau; New York Magazine; and ID. Newspapers include the New York Times; Wall Street Journal; Los Angeles Times; Washington Post; Houston Chronicle; International Herald Tribune; Village Voice; Seattle Times; New Haven Register; Toronto Star; Times-Picayune and many others.

Artist website

Press

The Roanoke Times Arts & Extras: Flying 'Farther' at the Taubman
WDBJ7 Art pieces created for the Taubman, stolen and recovered in NYC
WDBJ7 Artist's work to be shown at the Taubman, stolen and recovered
The Roanoke Times New sculpture takes flight at Taubman Museum
The Roanoke Times 'Flower Bomber' no longer MIA
The Roanoke Times Taubman show goes on despite art theft
Sculpture Seducing Consciousness: A Conversation with Paul Villinski
Interior Design: March 2016 Big Ideas Issue
Jackson Hole News & Guide Villinski butterflies soar into magical realism
The New York Times At the Katonah Museum, the Art of the Nest
Best Events Paul Villinski Artist Talk
Artfix Daily Katonah Museum of Art Presents The Nest, an exhibition of art in nature
SI Live Check Out Staten Island's Latest Public Art Installation: Sky Cycles
Boca Raton Magazine One Person's Trash...
The Wall Street Journal Artist's Metamorphosis Takes Flight in Chelsea
Arte Fuse Butterfly Machine: Paul Villinski at Morgan Lehman Gallery
HyperAllergic Villinski's Paradigm
Site Specific Art Installations in the Public and Private Realm
galleryIntell Paul Villinski at Morgan Lehman Gallery

Featuring a short film about the Butterfly Machine

TreeHugger

Recycled Beer Cans Become Butterflies 

Austin 360

'Passage' fits scale of Blanton's Atrium

The Wall Street Journal

Artists Explore Abandoned Spaces

The Wall Street Journal
A Retailer Snags a 'Steal'
The Wall Street Journal
Pricked: Extreme Embroidery
Daily Record

Artists recycling at MOCA: ‘Material Transformations’ opens Saturday

The New York Magazine
Second Lives
New York Sun
The Magical from the Mundane
The Los Angeles Times
Our Trash is This Artist's Treasure
Art In America

Amidst Cuts, Indianapolis Museum Partners with Alexander Hotel

The New York Times
Art Imitates Indianapolis
Indystar
The Alexander aspires to change city's cultural landscape
Interior Design

Top of The Charts: Gensler's Alexander Hotel

Variety
With a $134 Million Facelift, Santa Barbara’s El Encanto Hotel Is Ready For Its Closeup
The New York Times
Using Old Materials to Put a New Face on a Museum