Biography

Kysa Johnson’s (b. 1974) drawings, paintings, and installations explore the interconnected systems that shape the physical world, using patterns found in nature at the extremes of scale to consider our place within the universe and across history. Drawing from forms such as subatomic decay patterns, maps of the cosmos, and the molecular structures of pollutants, diseases, and cures, her work brings together microscopic and macroscopic “landscapes” to reveal physical realities invisible to the naked eye. Intricate networks of marks are woven into complex, lyrical compositions in which these underlying structures become a visual language, echoing and expanding upon their sources and transforming scientific systems into richly layered visual worlds.

 

Born in Illinois in 1974, Johnson graduated with honors from the Glasgow School of Art in Scotland. Her solo exhibitions include The Aldrich Contemporary Art Museum, The National Academy of Sciences, The Nicolaysen Museum, Morgan Lehman Gallery, Halsey McKay, Scott Miller Projects, Von Lintel Gallery, Nancy Littlejohn Fine Art, and MOAH Lancaster. Her work has been exhibited at institutions including The Tang Museum, The Katonah Museum of Art, The Hudson River Museum, DeCordova Sculpture Park and Museum, Dublin Contemporary, and the 2nd Biennial of the Canary Islands. She has created site-specific installations for the Armory Show, Grace Farms Foundation, Watertown Exploratory Labs, and the Empire State Building. Her work has been featured in Artforum, The New York Times, The New Yorker, Interview Magazine, Fast Company, and The San Francisco Chronicle. Johnson is a NYFA Fellow and Pollock-Krasner Foundation Grant recipient. Her work is held in public and corporate collections including MIT, Google, Microsoft, Deutsche Bank, Fidelity, and The Progressive Collection. She lives and works in Los Angeles.

 

Works
  • Kysa Johnson, Ghosts In Common - Cambrian Explosion - Subatomic Decay Patterns and Wildflowers 16, 2024
    Ghosts In Common - Cambrian Explosion - Subatomic Decay Patterns and Wildflowers 16, 2024
  • Kysa Johnson, Ghosts In Common - Eat The Sun - Subatomic Decay Patterns and Farm Flowers 4 , 2024
    Ghosts In Common - Eat The Sun - Subatomic Decay Patterns and Farm Flowers 4 , 2024
  • Kysa Johnson, Ghosts In Common - Necessary Beauty - Subatomic Decay Patterns and Farm Flowers 2, 2023
    Ghosts In Common - Necessary Beauty - Subatomic Decay Patterns and Farm Flowers 2, 2023
  • Kysa Johnson, Ghosts In Common - Necessary Beauty - Subatomic Decay Patterns and Wildflowers 13, 2023
    Ghosts In Common - Necessary Beauty - Subatomic Decay Patterns and Wildflowers 13, 2023
  • Kysa Johnson, Ghosts In Common - 1348/ 2022 (Fill Your Empty Sun With Flowers) - Subatomic Decay Patterns and Wildflowers 1, 2022
    Ghosts In Common - 1348/ 2022 (Fill Your Empty Sun With Flowers) - Subatomic Decay Patterns and Wildflowers 1, 2022
  • Kysa Johnson, Ghosts In Common - 1348/2022 (Death Becomes Her) - Subatomic Decay Patterns and Garden 12, 2022
    Ghosts In Common - 1348/2022 (Death Becomes Her) - Subatomic Decay Patterns and Garden 12, 2022
  • Kysa Johnson, blow up 401 - CRUDE (metamorphosis) - phytoplankton and the chemical components of petroleum after Monet, 2020
    blow up 401 - CRUDE (metamorphosis) - phytoplankton and the chemical components of petroleum after Monet, 2020
  • Kysa Johnson, blow up 406 - the long goodbye -Crude - the creation of hydrocarbons in the Horsehead Nebula, 2020
    blow up 406 - the long goodbye -Crude - the creation of hydrocarbons in the Horsehead Nebula, 2020
  • Kysa Johnson, blow up 378 - CRUDE - the physical history of oil - phytoplankton and chemical components of petroleum after Monet’s Water Lilies, 2019
    blow up 378 - CRUDE - the physical history of oil - phytoplankton and chemical components of petroleum after Monet’s Water Lilies, 2019
Exhibitions
Art Fairs
Press