Kysa Johnson’s (b. 1974) drawings, paintings, and installations explore the interconnected systems that shape the physical world, using patterns found in nature at the extremes of scale to consider our place within the universe and across history. Drawing from forms such as subatomic decay patterns, maps of the cosmos, and the molecular structures of pollutants, diseases, and cures, her work brings together microscopic and macroscopic “landscapes” to reveal physical realities invisible to the naked eye. Intricate networks of marks are woven into complex, lyrical compositions in which these underlying structures become a visual language, echoing and expanding upon their sources and transforming scientific systems into richly layered visual worlds.
Born in Illinois in 1974, Johnson graduated with honors from the Glasgow School of Art in Scotland. Her solo exhibitions include The Aldrich Contemporary Art Museum, The National Academy of Sciences, The Nicolaysen Museum, Morgan Lehman Gallery, Halsey McKay, Scott Miller Projects, Von Lintel Gallery, Nancy Littlejohn Fine Art, and MOAH Lancaster. Her work has been exhibited at institutions including The Tang Museum, The Katonah Museum of Art, The Hudson River Museum, DeCordova Sculpture Park and Museum, Dublin Contemporary, and the 2nd Biennial of the Canary Islands. She has created site-specific installations for the Armory Show, Grace Farms Foundation, Watertown Exploratory Labs, and the Empire State Building. Her work has been featured in Artforum, The New York Times, The New Yorker, Interview Magazine, Fast Company, and The San Francisco Chronicle. Johnson is a NYFA Fellow and Pollock-Krasner Foundation Grant recipient. Her work is held in public and corporate collections including MIT, Google, Microsoft, Deutsche Bank, Fidelity, and The Progressive Collection. She lives and works in Los Angeles.
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Ghosts In Common - Cambrian Explosion - Subatomic Decay Patterns and Wildflowers 16, 2024 -
Ghosts In Common - Eat The Sun - Subatomic Decay Patterns and Farm Flowers 4 , 2024 -
Ghosts In Common - Necessary Beauty - Subatomic Decay Patterns and Farm Flowers 2, 2023 -
Ghosts In Common - Necessary Beauty - Subatomic Decay Patterns and Wildflowers 13, 2023 -
Ghosts In Common - 1348/ 2022 (Fill Your Empty Sun With Flowers) - Subatomic Decay Patterns and Wildflowers 1, 2022 -
Ghosts In Common - 1348/2022 (Death Becomes Her) - Subatomic Decay Patterns and Garden 12, 2022 -
blow up 401 - CRUDE (metamorphosis) - phytoplankton and the chemical components of petroleum after Monet, 2020 -
blow up 406 - the long goodbye -Crude - the creation of hydrocarbons in the Horsehead Nebula, 2020 -
blow up 378 - CRUDE - the physical history of oil - phytoplankton and chemical components of petroleum after Monet’s Water Lilies, 2019
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Kysa Johnson | Imperishable Change That Renovates the World
Solo Exhibition 10 Sep - 17 Oct 2026Read more -
Kysa Johnson | Eat the Sun
Solo exhibition 2 Mar - 8 Apr 2023Read more -
XX | Twenty Year Exhibition
Group exhibition 2 Jun - 2 Jul 2022Read more -
Kysa Johnson | The Long Goodbye
Solo exhibition 10 Sep - 17 Oct 2015Read more
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Untitled Houston 2026
Houston, TX 2 - 4 Oct 2026Two-artist presentation of works by: Kysa johnson Raymond SaáRead more -
Texas Contemporary 2015
Houston, TX 1 - 4 Oct 2015GROUP Presentation of Works By: rubens ghenov kysa johnson Nancy lorenz Jason Middlebrook Laurie Reid KATIA SANTibañez Paul VillinskiRead more -
Dallas Art Fair 2015
Dallas, TX 9 - 12 Apr 2015Three-Person Presentation of Works By: Kysa Johnson Jason Middlebrook AARON WAXLERRead more -
Dallas Art Fair 2013
Dallas, TX 11 - 14 Apr 2013Group Presentation of works by: david S. Allee judith belzer nancy Lorenz kim mccarty amy park ryan wallace paul VillinskiRead more
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Elkus Manfredi Architects Crafts A Cutting-Edge Life Sciences Hub
Rebecca Dalzell, Interior Design Magazine, March 10, 2025 -
Art & Life with Kysa Johnson
Voyage LA, September 10, 2018 -
Painting Cosmic Phenomena with Patterns of Subatomic Decay
Daniel Gerwin, Hyperallergic, July 20, 2017 -
Kysa Johnson. The Long Goodbye
Daniel Gauss, Meer, September 10, 2015
